Finding the basics of photoshop is just like 1, 2, 3
Saturday, July 26th, 2008
Because the Clone Stamp’s function is to subtly replace one area of pixels with another, you don’t need its brush tip to be shaped like a rubber duck, for example! However you can use the Brush Preset picker to arm yourself with a variety of creatively-shaped brushes, should your project require them. Working smarter with the Brush Preset picker means maximising its potential. If you’re not already familiar with this interface.
Making custom brushes is one of the easiest things in the world. Seriously! I don’t know why I’ve read some tutorials that make it out to be this multi-step, intimidating process. Creating your own brushes helps to customize both your artwork and the Photoshop work environment. The Hard Part: “But … you said this would be easy!!” Technically, yes, but I’ve found that some people actually reach a little stumbling block when trying to think of what would make a good brush. Well, the short answer is ANYTHING! I’ve made brushes out of fuzzy leopard slippers, bananas, old trash cans, fabric swatches, dirt … hundreds of things. It helps to have a scanner and/or a digital camera … that really opens up your possibilities. Just a quick walk around your house might yield dozens of fun textures you can make brushes out of. But, even if you don’t have either of those, you can often snurch some good textures off the internet. Try a google search for marble tile and see what comes up. Sometimes you’ll get a nice big image to work with. I’m not condoning stealing someone’s art photos to rip a brush off with, but if it’s just a sample photo of tile, or fabric, or screen, or whatever, I think it’s perfectly fine … you’ll be drastically changing the image in the next steps anyway.
To demonstrate the way the interface changes as you use it, try selecting the type tool from the toolbox (the one that looks like a capital T). You will see straight away that the toolbar changes entirely to allow you to set font name, font size and so on. In the history palette, your use of the type tool will be added to your history, and a new layer will be created for your text and shown in the layers palette.
Photoshop, Adobe’s digital photo editing and graphic design powerhouse, is capable of creating professional quality logos and designs that will allow you to compete with professional designers for graphic design business. There are many software applications available that advertise the ability to produce high quality graphics and logos. These applications can range in price from $30.00 and up. The problem with many of these applications is that they use pre designed templates which the user pieces together to form logos that really are not that original and sometimes appear a little generic.
Adobe’s Photoshop is the number one choice digital photo editing software application among today’s professional photographers, graphic artists and web designers. It is not only the best but easier to work with than you might think. Many shy away from Photoshop because there are intimidated by the complexity. With the help of a good Photoshop tutorial you can begin to learn Photoshop within minutes and be on your way to restoring those old photographs and preserving your family’s memories for year to come. There are less expensive digital editing applications but the problem is that they often have very limited capabilities when it comes to doing high quality digital photo restoration. Those cheaper digital photo software packages often utilize a one size fits all approach to photo restoration and they just don’t have the functions to deal with all of the types of damage you may encounter in renewing your old photos.
Customers get to proof their enhanced images in online private galleries, with web links, user names and passwords sent by e-mail, before deciding whether to purchase. Enhanced images are available for immediate download after secure online purchase through Roman Cart. No money up front and no obligation to buy — that’s how confident Caledonian Digital is in their ability to deliver.
News photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today. Back in the days of the darkroom, we used very basic tools to develop prints. In black and white printing, the contrast of a picture was controlled by a paper’s grade. The higher the number of the paper, the higher the contrast. In the wire agency darkooms I’ve worked in, we typically used grades 3,4 and 5. We allowed “dodge and burn” to lighten or darken areas. A dodge tool was made by taping a small piece of cardboard the size of a quarter onto a paper clip. A burn tool was a piece of cardboard the size of an 810 sheet of paper with a hole in the center.
